In the middle of the ground floor of the enormous Brass Light Gallery complex there is a large, mostly empty room. Its bare walls are
made of pressure-cleaned cream city brick. The front of the room, which looks
out on St. Paul Avenue, has been sectioned off by mirrors in ornate wooden
frames. An extravagant cut crystal chandelier, along with a variety of other
lighting fixtures, is reflected in the mirrors. So are the massive horizontal
steel and concrete forms of the Marquette Interchange outside.
Please go to Arts Without Borders for the rest of this story and photos.
This post is one in a series that relates to my Menomonee Valley Artist in Residency. For more information about the residency and links to previous posts and photographs, go to MV AiR.
This post is one in a series that relates to my Menomonee Valley Artist in Residency. For more information about the residency and links to previous posts and photographs, go to MV AiR.
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